Oliver, M. (2009). Conrad's grotesque public: Pornography and the politics of reading in The Secret Agent. Twentieth-Century Literature, 55(2), 209-231.
Oliver, M. (2010). Iron(ic) ladies: Thatcherism, primitivism, and the post-imperial grotesque in Angela Carter's Nights at the Circus. Contemporary Women's Writing, 4(2), 237-253.
Oliver, M. (2018). "The riotous conflagration of beauteous language": Flowery style, defamiliarization, and empathic imagination in epic fantasy. Journal of the Fantastic in the Arts, 29(3), 355-379.
Oliver, M. (2022). History in the margins: Epigraphs and negative space in Robin Hobb's Assassin's Apprentice. Mythlore, 41(1), 45-66.
Oliver, M. (2022). Magic words, magic worlds: Form and style in epic fantasy. McFarland.
Oliver, M. (2023). "A duet, in which your goal is to kill your partner": Aggressive empathy and visceral reading in fantasy action scenes. Extrapolation, 64(1), 75-95.